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Now that you have decided to create your digital art or have scans of original artwork and decide it is time to have a giclee printer output it, how can you foresee and prevent potential problems? As we discussed in the giclee printing methodology there is a limit to what colors (namely saturation and brightness characteristics) can fit the fine art giclee printing reproduction system.


Let's go into the practical side: we will assume that, as a digital artist, you have Adobe Photoshop. This software is the de facto standard and it is needed for advanced image manipulation. Most digital artists and image professionals such as photographers work in RGB. With the image open, go to View->Gamut warning. What this does is to highlight areas of color in the image which MAY not be able to be printed. We emphasize MAY because the gamut warning is based on the CMYK profile specified in Photoshop. Also, giclee printing has a wider gamut than CMYK, therefore something that shows as not printable could in fact be accurately represented in a giclee. To turn the warning off go to the same menu and take the check mark off.

 

Nevertheless the above technique can be of help to highlight potential reproduction limitations. One note: depending on which version of the software is used, there may be differences to where these commands are. Please see the help files and search by keywords. There are different ways to show out of gamut areas but we just illustrated one for the sake of simplicity. Fine art printing reproduction is challenging but it is very possible to get excellent results given the right tools and knowledge.
What do you do now that you discovered that the super bright blues and reds in your beautiful image can't be printed? The answer is simple and complex: compromise. Although it may not be possible to transfer these colors to a giclee print, a good giclee printer can convey the feeling of brightness and saturation by carefully choosing in-gamut colors. It is a process that takes a lot of experience and it is as much a science as it is an art. To do this yourself, it may take local masking of individual area and color manipulations or general color layering tools such as "Selective color" and "Hue and Saturation" in Photoshop.
 

Fine art printing requires a solid understanding of color and an esthetic eye. Do not expect this to be easy. What you can do is prepare your images for printing and communicate your concerns to the printing studio.
If you would like to discuss the merits of fine art printing reproduction I explained above or have questions about giclee printing methodology, please feel free to contact me. If you would like to see more articles, please let us know!